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・ Yves Montand
・ Yves Morin
・ Yves Morvan
・ Yves Mourousi
・ Yves Narduzzi
・ Yves Nat
・ Yves Navarre
・ Yves Netzhammer
・ Yves Niaré
・ Yves Nicolazic
・ Yves Nicolin
・ Yves Oehri
・ Yves Pajot
・ Yves Pambou
・ Yves Parlier
Yves Peintures
・ Yves Pelletier
・ Yves Person
・ Yves Pierracci
・ Yves Pigneur
・ Yves Pires
・ Yves Platel
・ Yves Pouliquen
・ Yves Pozzo di Borgo
・ Yves Pratte
・ Yves Preston
・ Yves Prin
・ Yves Préfontaine
・ Yves Prévost
・ Yves Pépin


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Yves Peintures : ウィキペディア英語版
Yves Peintures

''Yves Peintures'' (Eng: ''Yves Paintings'') is an artist's book by the French artist Yves Klein, originally published in Madrid, 18 November 1954.〔Klein, Stich, p42〕〔(According to the Klein Archive, the book was published May 1954 )〕
This publication was Klein’s first public gesture as an artist, featuring pages of 'commercially printed papers 〔Tate Liverpool, text taken from the 'Reinventing Colour' exhibition, May-Sept, 2009〕' that were seemingly reproductions of paintings that, in fact, didn't exist. Using a practice started by Marcel Duchamp, this use of readymade objects to represent nothing but themselves has been referred to as an early example of Postmodernism,〔McEvilley, T. Yves Klein: Messenger of the Age of Space. Artforum 20, no.5. January 1982. pp. 38-51〕 using a series of carefully executed strategies to undermine its own authority, and as a precursor to conceptual art.〔Klein By Hannah Weitemeier, Taschen, p51〕 'The simplicity of his readymades is at once sublime and mischievous.' 〔

"The booklet asserts its character straightaway in the preface: a wordless text of unbroken horizontal lines with the same two paragraph indentations on each page.... a homogenous continuum with no real beginning, middle, or end, and no content - at least insofar as there are no descriptions, analyses, or personalized utterances. The colour plates are similarly presented as anonymous entities, each a flat spatial field of an uninflected hue: turquoise, brown, purple, green, pink, gray, yellow, ultramarine, mint, orange, or red. Here, too, there is no attempt to represent or symbolize anything....


The booklet thus offers an utterly pared down presentation. Unlike most art books, it provides no reverential prose about the artist or the art, and no embellishing descriptions meant to convey meaning or context. Instead the booklet itself is made into a work of art that shares the same spirit of nothingness exemplified by the monochrome paintings that it features." Sidra Stich 〔Yves Klein, Sidra Stich, Hayward Gallery, p43〕

==The origins of the Monochrome==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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